December 2, 2014
captive audience
i left i left he says, i found the escape! as if the tape recorder he held in his hand was hard of hearing, which makes me think of how soft & fuzzy everything can sound when hearing is hard. it's about respect he says, RESPECT he bites, loud enough for us all to ignore. i had just walked in and ordered a tea from the mousy barista who had pulled the overcast over her head, CAT FLAG it said, with a band of black cats staring solemnly overhead. the petulant manager steeples his chin as his feet glug the stairs down, his indifference memorized by the bottom. how can you wean yourself from the habit of believing that what is obviously not yours is yours as my sweat does not purchase any equity here, and what is left when you be leaving, foraging for a new set of eyes whose vision is clear & correct, swimming in juices both lighter & brighter than my dear dark willamette. let us pause to absorb the dreadlocked man's rant, RACISM, SLAVERY, I AM BLACK he says, I AM BLACK! his voice is raised to meet the side that burns, his righteous fury reflected back as every gun is pointed at what the shooter lacks - a deeper connection. you can die free here or survive on tomorrow's rock, the top of it fenced off to prevent you from falling into the sea below. i look up from where i sit, in front of my own window, where i attempt to receive my own reflection, my open notebook recording my own rant. the dreadlocked man has gone silent, retreating into his darkest shape, or perhaps his fury burns in some other state, where hands held high plead to the fluorescent moons amid the stinging haze. all our hands are pale when they are raised. all our windows clean.
November 17, 2014
my dark river speaks (an ekphrasis piece inspired by the Columbia River Shadows photogram series)
river dark
malevolent under
not sun skins
the cathedral
rain cracked
contaminated
bottom ripped
canvas fed
womb drink
who we are
crawls past the roar
captured & stabbed
in our belly glow
unbearably brushed
by meadow sway
wind stripped our swollen
tears ring the rupture
as if it was rapture
as all those satellites
float just
above the grime
transmitting
transmitting
pictures are of black & white prints made by anna daedalus & kerry davis
http://annadaedalus.com/?g=columbiarivershadows
November 15, 2014
I Speak of Blood by Xu Lizhi (1990-2014)
I Speak of Blood by Xu Lizhi (1990-2014)
I speak of blood, because I can’t help it
I’d love to talk about flowers in the breeze and the moon in the snow
I’d love to talk about imperial history, about poems in wine
But this reality only lets me speak of blood
blood from a rented room the size of a matchbox
narrow, cramped, with no sight of the sun all year
extruding working guys and girls
stray women in long-distance marriages
sichuan chaps selling mala tang
old ladies from henan manning stands
and me with eyes open all night to write a poem
after running about all day to make a living
I tell you about these people, about us
ants struggling through the swamp of life
drops of blood on the way to work
blood chased by cops or smashed by the machine
by casting off insomnia, disease, downsizes, suicide
each explosive word
in the pearl river delta, in the pit of the stomach of the country
eviscerated by an order slip slicing like a kaishaku blade
I tell you these things
even as I go mute, even as my tongue cracks
to tear open the silence of the age
to speak of blood, of the sky crumbling
I speak of blood, my mouth all crimson
I’d love to talk about flowers in the breeze and the moon in the snow
I’d love to talk about imperial history, about poems in wine
But this reality only lets me speak of blood
blood from a rented room the size of a matchbox
narrow, cramped, with no sight of the sun all year
extruding working guys and girls
stray women in long-distance marriages
sichuan chaps selling mala tang
old ladies from henan manning stands
and me with eyes open all night to write a poem
after running about all day to make a living
I tell you about these people, about us
ants struggling through the swamp of life
drops of blood on the way to work
blood chased by cops or smashed by the machine
by casting off insomnia, disease, downsizes, suicide
each explosive word
in the pearl river delta, in the pit of the stomach of the country
eviscerated by an order slip slicing like a kaishaku blade
I tell you these things
even as I go mute, even as my tongue cracks
to tear open the silence of the age
to speak of blood, of the sky crumbling
I speak of blood, my mouth all crimson
-translated by Lucas Klein, Assistant Professor at the University of Hong Kong’s School of Chinese
「我谈到血」
我谈到血,也是出于无奈
我也想谈谈风花雪月
谈谈前朝的历史,酒中的诗词
可现实让我只能谈到血
血源自火柴盒般的出租屋
这里狭窄,逼仄,终年不见天日
挤压着打工仔打工妹
失足妇女异地丈夫
卖麻辣烫的四川小伙
摆地滩的河南老人
以及白天为生活而奔波
黑夜里睁着眼睛写诗的我
我向你们谈到这些人,谈到我们
一只只在生活的泥沼中挣扎的蚂蚁
一滴滴在打工路上走动的血
被城管追赶或者机台绞碎的血
沿途撒下失眠,疾病,下岗,自杀
一个个爆炸的词汇
在珠三角,在祖国的腹部
被介错刀一样的订单解剖着
我向你们谈到这些
纵然声音喑哑,舌头断裂
也要撕开这时代的沉默
我谈到血,天空破碎
我谈到血,满嘴鲜红
我也想谈谈风花雪月
谈谈前朝的历史,酒中的诗词
可现实让我只能谈到血
血源自火柴盒般的出租屋
这里狭窄,逼仄,终年不见天日
挤压着打工仔打工妹
失足妇女异地丈夫
卖麻辣烫的四川小伙
摆地滩的河南老人
以及白天为生活而奔波
黑夜里睁着眼睛写诗的我
我向你们谈到这些人,谈到我们
一只只在生活的泥沼中挣扎的蚂蚁
一滴滴在打工路上走动的血
被城管追赶或者机台绞碎的血
沿途撒下失眠,疾病,下岗,自杀
一个个爆炸的词汇
在珠三角,在祖国的腹部
被介错刀一样的订单解剖着
我向你们谈到这些
纵然声音喑哑,舌头断裂
也要撕开这时代的沉默
我谈到血,天空破碎
我谈到血,满嘴鲜红
2013年9月17日
October 7, 2014
connoisseurs of light
evil? is it
the opposite of
feeling alive? yeah,
he's friendly, but
seeking permission
to pet instead
of just petting is
good practice for
learning how to get
consent. she
reclines in
the shade of
a beautiful autumn
morning, mirrored
in her silver sun-
glasses sparkling,
a hint of crisp
amid summer's last
gasp. does
nostalgia
depend on
kindness, or
kindness
nostalgia?
both are warm
& fuzzy blankets.
the barista dangles
chilled notes from the ceiling
just to make sure we know
its cool in here.
just to make sure we know
its cool in here.
diagnosis means
to know apart from.
alleviating suffering
to know apart from.
alleviating suffering
begins with giving
affliction a name,
the surgeon said,
but what if life
is your affliction?
floating
until we become too
heavy
to float.
heavy
to float.
a tall young man
exits wearing
a chalk white skeleton
on his black tshirt
didn't we used to
celebrate the seasons
& our connection to
nature and now
we celebrate money.
why do we need so much
sweetness and what
is so bitter about our lies
that we have to hide the taste
with sugar & shine?
as if having filled.
we should know by now
as cars rush past. black
clad ladies tilting tables
upright onto their
bright white legs as
a young man skates
lazy figure eights
down my neighborhood's
gently sloping hill.
before me a young woman
sits down at a sidewalk table.
in one arm, glistening with
fresh ink, she holds
the leash to a caramel
coated mother who
watches & waits
for her treat. the trees,
those connoisseurs of light,
have begun to change.
the trees know.
October 2, 2014
right on time
running late for the bus
running and missing it
but not missing this sun-
light so delicate. i love
how it hangs there like
crepe paper half-heartedly
hung for a party we're too
tired to clean up for.
i waited inside this
clear plastic can, empty of
everything but the traces
of its function. of course,
the next bus was late as we
maintained our proper
spacing on this
glowing court.
someone who was there
wanted you to know.
someone who was there
will never know.
and someone who was there
had all the time in the world
to catch the light.
September 29, 2014
standing in the line of thought

if judgments were visible we would flee our rooms for fear of fire, resting a palm or a cheek against the wall, feeling for heat before falling to the floor, so we can breathe just below where the hatred floats, humbled away on hands & knees.
burn your notebooks and listen to the rest of your body.
cities are sets where we stage our dreams and nightmares. most of us too poor or weighed down with debt. what we owe submerges us, keeps us flailing in slow motion beneath the waves.
how can you ever be anyone else and never leave?
i know what i am a few incidents away from losing, but wasn't i always a few incidents away from gaining something as well? how often are you just a few incidents away from love?
catastrophe forces us to choose all over again, to organize what's alive. faced with such cliffs, we always exclaim, "what have i done!" instead of asking, "what have i chosen?"
i feel like a bus driver who always drives the same route.
versions of ourselves, both newer & worn too well, breaking & already broken, pass like a melody played on an instrument you do not touch, through rooms of old wood, in a house that survives from a previous era of the place you live and falsely feel yourself at home in.
standing in the line of thought
it's not enough to drop what you have
you must untie the knot
images from http://www.placehacking.co.uk/tag/caves/
September 4, 2014
there will be no purple rain
standing in line at the plaid, tall dough boy who i usually see behind the cash register is headed out the door, skateboard slung over his shoulder, nods as he walks by, we exchange muttered dudes. the fluorescent light is bright, the linoleum floor is white. i recognize the song.
I never meant to cause you any sorrow.
I never meant to cause you any pain.
I only wanna one time see you laughing.
I only wanna to hear you...
inside, i start to sing along. usually the wait is interminable, a mockery of the slogan:
GET IN
GET IT
GET GOING
but tonite i have a song i haven't heard in ages. but just as i start to groove, the cashier reaches over and skips the track. this is the plaid, so all hopes & dreams must die. suddenly, a guy who had just checked out and was walking away stops, turns & juts his face into the middle of the transaction.
you turning off purple rain?
the cashier is surprised. he obviously hasn't fully considered the consequences of that decision.
uh, yeah he stammers, confused.
the man just stands there, shaking his head. he is middle-aged like me but wears his years worse. his hair & beard are thoroughly salted. his face is a slab of pink, tenderized meat.
you turning off purple rain?
he says it again, his tone lands somewhere in between a question & an emphatic statement of disbelief. he turns and skulks out the door, yet another thing a working man can't have.
and the cashier, who never meant to cause him any sorrow, who never meant to cause him any pain, moves on.
next transaction,
next song.
Subscribe to:
Posts (Atom)













